February 7, 2024 IHGC Faculty Fellows 2023-2025 February 6, 2024 IHGC Call for Applications and Proposals 2024-2026 February 6, 2024 IHGC Call for Applications and Proposals - Faculty Fellows, Humanities Lab, Sponsored Groups 2024-2026 August 29, 2022 IHGC Announces New Advisory Board August 17, 2022 New Faculty Fellows August 17, 2022 New IHGC Research Networks & Initiatives October 13, 2020 Kasey Jernigan, "Mapping Indigenous/UVA Relations" October 12, 2020 China Scherz, “Higher Powers: Alcohol and After in Uganda's Capital City” October 12, 2020 Allison Bigelow, “Mining Language: Racial Thinking, Indigenous Knowledge, and Colonial Metallurgy in the Early Modern Iberian World” October 12, 2020 Ari Blatt, “State of Place, State of Mind: Vernacular Landscapes in Contemporary French Photography” October 12, 2020 Neeti Nair, “The Problem of Belonging after the Partition of India” October 12, 2020 Michael Puri, “Mimetic Musical Modernism: The Case of Maurice Ravel” October 12, 2020 Joshua White, “An Epic Tale of Sorrow and Joy: Slavery, Migration, and the Mediterranean Journeys of an Ottoman Manuscript” October 12, 2020 Sarah Betzer, “The 'Long' Eighteenth Century?” October 12, 2020 Tessa Farmer, “Cairo’s Sabils: Gifting Water” September 18, 2018 Fotini Kondyli, "Citizen Participation and Urban Planning in Byzantine Athens" September 26, 2017 Giulia Paoletti, "Reinventing Photography: Technology and Visuality in Senegal (1860-1960)"
February 6, 2024 IHGC Call for Applications and Proposals - Faculty Fellows, Humanities Lab, Sponsored Groups 2024-2026
October 12, 2020 Allison Bigelow, “Mining Language: Racial Thinking, Indigenous Knowledge, and Colonial Metallurgy in the Early Modern Iberian World”
October 12, 2020 Ari Blatt, “State of Place, State of Mind: Vernacular Landscapes in Contemporary French Photography”
October 12, 2020 Joshua White, “An Epic Tale of Sorrow and Joy: Slavery, Migration, and the Mediterranean Journeys of an Ottoman Manuscript”
September 26, 2017 Giulia Paoletti, "Reinventing Photography: Technology and Visuality in Senegal (1860-1960)"
