University of Virginia, College and Graduate School of Arts and Sciences

Symposium on Citizenship, Belonging, and the Partition of India

Friday April 9, 2021 from 9:00 to 1:30 PM EST via Zoom
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Amitav Ghosh

Fall 2020 Seminar Series: “Indian Ocean Worlds and the Anthropocene”
 

Deborah Baker

Fall 2020 Seminar Series: “Narrative in the Age of Political Extremism”
 

Annual Report 2019-20

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About the Institute of the Humanities & Global Cultures

The Institute of the Humanities & Global Cultures (IHGC) offers a vision at once local and global, and a mission both academic and socially engaged.

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The New (ab)NORMAL: Humanities Week 2021 | April 19-23, 2021

Puzzle Poetry

Puzzle Poesis

UVa's Puzzle Poetry working group was launched in the fall of 2017 by Neal Curtis and
Brad Pasanek as an experimental and collaborative endeavor. The group seeks to treat
poems as puzzles, isolate the substance of prosody, and apprehend shape as a medium. 
They are makers, coders, and subformalists. 

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Asian Cosmopolitanisms

Asian Cosmopolitanisms

A new IHGC lab on Asian Cosmopolitanisms aiming to reconceptualize the study of Asia
across the disciplines of the humanities and interpretive social sciences.

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CHCI

Humanities Informatics

Consortium of Humanities Centers & Institutes 2018 Annual Meeting | June 13-17, 2018
A conference on Humanities Informatics that showcased the power of the humanities
to address the urgent questions about the ‘human’ in our information age.

WATCH CHCI 2018

Achille Mbembe

Achille Mbembe Lecture

"Negative Messianism in the Age of Animism" | September 18, 2017

WATCH THE LECTURE

Ghosh

Amitav Ghosh

IHGC Writer-in-residence
Watch his lectures

Global Map

Global South Initiative

The Andrew W. Mellon Foundation has awarded the University of Virginia $3.47 million to launch a major humanities initiative dedicated to the study of the Global South. The College and Graduate School of Arts & Sciences has matched the grant, making the initial five-year investment to launch the initiative about $7 million.

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Mellon Global South Initiative

Mellon Global South Initiative

The Andrew W. Mellon Foundation has awarded the University of Virginia $3.47 million to launch a major humanities initiative dedicated to the study of the Global South. The College and Graduate School of Arts & Sciences will match the grant, making the initial five-year investment to launch the initiative about $7 million.

Clay Endowments & Grants

Clay Endowments & Grants

The Institute of the Humanities and Global Cultures (IHGC) invites proposals for funding from the Buckner W. Clay Endowment to support innovative work in the global humanities at the University of Virginia. The Endowment provides an ambitious basis of support for faculty and student research and teaching to be conducted under the auspices of the IHGC. Faculty and students from across all schools and disciplines at the university are welcome and encouraged to apply. 

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Bologna

Summer School in Global Studies and Critical Theory

The Academy of Global Humanities and Critical Theory is a new research entity jointly promoted by the University of Virginia, Duke University and the University of Bologna. It is conceived as an intellectual space for scholars coming from different research fields and geographical regions to work together on the redefinition of the humanities in a global age.

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Mapping Indigenous/UVA Relations: Stories of Space, Place, and Histories is a participatory action methodological project that focuses on sparsely documented Indigenous relations with the University of Virginia. This project combines archival materials related to Indigenous histories and presences in and around UVA with Virginia tribal citizens’ personal digital stories that...

My research focuses on sabils, or charitable water fountains, as a key location for exploring vernacular water architecture and investigating the underlying conceptual frameworks that give them life. Sabils are important parts of the built environment of Cairo, drawing on religious precedence and enacting everyday ethical notions of reciprocity. They are particularly important in the changing...

The focus of my research while a Mellon Humanities Fellow takes off from the ubiquity of the phrase: "the long eighteenth century." Proliferating in calls for participation and panel descriptions throughout art history and visual culture studies, if the mark of an elongated eighteenth century is inescapable, this terminology merits further scrutiny. During my period as a Mellon Fellow, I will...

What meaning did a fictional Ottoman tale and the manuscript containing it have to those who copied, read, heard, and owned it? An Epic Tale of Sorrow and Joy is an interdisciplinary microhistory that explores the many meanings, uses, and journeys of an otherwise unremarkable manuscript—the only extant copy of an eponymous Ottoman Turkish story of forced migration, fortune, and loss...

“If human beings suddenly ceased imitating, all forms of culture would vanish.” This striking statement by René Girard not only ascribes to mimesis the ability to generate culture, but also implicitly challenges scholars to determine how mimesis operates within the cultural field they study. Many have risen to this challenge, but the question still remains: How does mimesis operate within...

How did the partition of the Indian subcontinent resolve the problem of belonging for minority religious communities – in India, Pakistan, and later, Bangladesh? If Pakistan was designed to create a ‘homeland’ for the Muslims of the subcontinent, was India meant to serve as a homeland for the Hindus? How, then, did the Hindus of Pakistan and the Muslims of India learn to live and build...

Since the mid-1980s, art photographers from metropolitan France have been training their lenses on places throughout the country they call home. Their work constitutes a dynamic, thoughtful, and altogether transformative way of envisioning what on the surface might seem like perfectly mundane locations, but which the photographs endorse as landscapes endowed with the capacity to expand and...

I am beginning a new project at IHGC, one that builds from the methods that I developed in my first book, Mining Language: Racial Thinking, Indigenous Knowledge, and Colonial Metallurgy in the Early Modern Iberian World (Omohundro Institute of Early American History and Culture for the University of North Carolina Press, May 2020). My new project turns from mining to agriculture,...

Higher Powers: Alcohol and After in Uganda’s Capital City is a collaborative monograph (co-authored by George Mpanga and Sarah Namirembe) that draws on four years of fieldwork carried out with Ugandans working to reconstruct their lives after attempting to leave problematic forms of alcohol use behind.  Given the relatively recent introduction of Western ideas of alcoholism and...

Project Summary: My project on Byzantine urbanism and Athens in particular, seeks to reconstruct the topography and spatial layout of Byzantine Athens (4th-15th c AD), and better understand contemporary living conditions and socio-economic activities in the city. Emphasis is placed on city-making processes and particularly the role of non-elite, ordinary people in them. Similar to...

Project Summary: My current book project reframes narratives of photography’s origin and originality by zooming into the first one hundred years of photography in Senegal (1860-1960). Senegal has received significant attention as one of the epicenters of modernism in the Black Atlantic, and yet, the advent of photography in the country in the 1840s has hardly been considered in...