Njelle W. Hamilton is Assistant Professor in the departments of English and African-American and African Studies at the University of Virginia. She specializes in 20th and 21st century Caribbean literary and cultural studies, especially the impact of orality, music, and trauma on the Caribbean postcolonial novel. Her first monograph, Phonographic Memories: Popular Music and the Contemporary Caribbean Novel (Rutgers, 2019), investigates how Caribbean subjects turn to nation music when personal and cultural memory have been impacted by time, travel, or trauma. Her current project, tentatively titled Caribbean Chronotropes: The Politics, Physics, and Poetics of Time in Contemporary Fiction, reads recent time-bending novels through the lens of physics, phenomenology, and Caribbean theory. She serves on the editorial board of Caribbean in Transit: An Arts Journal, and her essays on sound studies and trauma theory have appeared in Anthurium, Journal of West Indian Literature, Critical Perspectives on Indo-Caribbean Women’s Literature, Wasafiri, and SX Salon.