Consortium of Humanities Centers & Institutes 2018 Annual Meeting | June 13-17, 2018
A conference on Humanities Informatics that showcased the power of the humanities
to address the urgent questions about the ‘human’ in our information age.
The Institute of the Humanities & Global Cultures (IHGC) offers a vision at
once local and global, and a mission both academic and socially engaged.
Achille Mbembe Lecture
"Negative Messianism in the Age of Animism" | September 18, 2017
IHGC Fall 2019 Distinguished Visitor
October 4, 2019 | 4:00 pm - 5:30 pm | Bryan Hall Faculty Lounge
UVa's Puzzle Poetry working group was launched in the fall of 2017 by Neal Curtis and
Brad Pasanek as an experimental and collaborative endeavor. The group seeks to treat
poems as puzzles, isolate the substance of prosody, and apprehend shape as a medium.
They are makers, coders, and subformalists.
Global South Initiative
The Andrew W. Mellon Foundation has awarded the University of Virginia $3.47 million to launch a major
humanities initiative dedicated to the study of the Global South. The College and Graduate School of Arts &
Sciences has matched the grant, making the initial five-year investment to launch the initiative about $7 million.
Burning the Library of Life: Species Extinction and the Humanities
A Symposium | September 26-27, 2019
A new IHGC lab on Asian Cosmopolitanisms aiming to reconceptualize the study of Asia
across the disciplines of the humanities and interpretive social sciences.
News & Announcements
Lucy Neave, "Environment Crisis, De-colonization and Signification in Alexis Wright’s The Swan Book
Thu Nov 07
Alexis Wright’s The Swan Book focuses on an Australian Aboriginal woman character named Oblivia, who emerges after a ten-year period of a trauma-induced ‘sleep’ in the ‘deep underground bowel of a giant eucalyptus tree’ where she writes ‘stanzas in ancient symbols’ (7). The setting of the novel is an imagined future of cataclysmic climate change, as well as an unresolved and ongoing settler past and present, in which First Nations people experience pervasive mental and affective colonization. Oblivia and other occupants of the polluted Northern Australian swamp where she lives, desire survival and connection with their ancestral lands.The novel’s narrative is inextricably bound up with images and texts pertaining to colonial pasts and also indigenous forms of storytelling. The swans who come to the swamp as refugees of climate change, exist as intertextual entities. This talk examines the extent to which the swans in the novel and Oblivia’s relationship with them dramatize questions around the ravages of settler colonialism and environmental crisis.
Lucy Neave is conducting research for a book: Crisis, Kinship and the Animal in Twenty-First Century Literature (working title). She is the author of a series of papers on the representation of animals in contemporary literature, and a novel, Who We Were (Text Publishing, Melbourne, 2013), as well as short fiction. In spring 2019, she is a visiting scholar in the New York University department of English and Comparative Literature. She teaches creative writing and literary studies at the Australian National University.
Mellon Fellows Seminar - Ahmed al-Rahim, "Mobility and Knowledge in the Mongol Empire"
Fri Nov 15
Ahmed H. al-Rahim works on Arabo-Islamic intellectual and religious history from Muhammad to Avicenna to Abū-Bakr al-Baghdādī. His research and teaching cut across the centuries, spanning the Arabic reception history of Avicennan philosophy during Islam’s so-called “dark ages,” from the eleventh to the fourteenth century, the development of Islamic ethics in the Middle Ages, and the ideologies of political Islam, also known as Islamism, in the Middle East in the early nineteenth to twenty-first century. Professor al-Rahim is currently working on a history of etiquette literature and manuals of practical virtue ethics (ādāb) in Islamicate civilization, and on a short introduction to modern Islamist ideologies. His publications include: Islamic Ethics: An Introduction to the Classical Tradition, New Islamic Surveys (Edinburgh University Press, Forthcoming); The Creation of Philosophical Tradition: Biography and the Reception of Avicenna’s Philosophy from the Eleventh to the Fourteenth Century A.D., Diskurse der Arabistik; XXI (Wiesbaden: Harrassowitz Verlag, 2018); and Before and After Avicenna: Proceedings of the First Conference of the Avicenna Study Group, co-edited with D.C. Reisman, Islamic Philosophy, Theology and Science. Texts and Studies, LII (Leiden: E.J. Brill, 2003).
Crime, Security, and Citizenship: The Politics of Fingerprinting in China, 1920s - 1940s with Daniel Asen (Rutgers University)
Fri Nov 15
An event in the Asian Cosmopolitanisms Lecture Series. Co-sponsored by the Humanities Informatics' Surveillance and Infrastructure research group.
Mellon Fellows Seminar - Katelyn Wood, "Listening Backwards: Archiving Laughter and Queer Sonic Intimacies"
Fri Feb 07
Katelyn Hale Wood is a performance studies scholar and theatre historian whose research engages the intersections of critical race and queer theory, gender studies, and 20th/21st century comedic performance. Her first book project, tentatively titled Modalities of Freedom: Black Feminist Comedic Performance in 20th and 21st Century USA, argues how the work of Black feminist stand-up comedians have played vital roles in queer, feminist, and anti-racist community building. Her work has been published in Theatre Topics, QED: A Journal in GLTBQ Worldmaking, and Departures in Critical Qualitative Research, and has also been supported by the American Society for Theatre Research and the National Center for Institutional Diversity.
Wood received her Ph.D. in Theatre History and Criticism with an emphasis in African American Studies from the University of Texas at Austin (2014). Prior to joining the faculty at UVA, she taught in the Theatre History and Theory program at Miami University. Alongside her scholarship, Wood is also a dramaturge.
At UVA, Wood teaches courses in theatre history, performance theory, as well as interdisciplinary topics, such as race and performance in the Americas, queer and feminist performance in the U.S., and comedy as protest.
Mellon Fellows Seminar - Fotini Kondyli, "Citizen Participation and Urban Planning in Byzantine Athens"
Fri Mar 20
Fotini Kondyli (Assistant Professor of Byzantine Art and Archaeology) is a Byzantine archaeologist who works on the Late Antique, Byzantine and Frankish periods. Her research interests include the construction of Byzantine spaces, communal identity, landscape and household archaeology and the archaeology of Byzantine non-elites. She also works on cultural, economic and political networks in the Eastern Mediterranean in the Late Byzantine period (13th- 15th c.). She is presently writing her first monograph on aspects of vulnerability and resilience of Late Byzantine rural societies, focusing on the spatial organization and socio-economic strategies of non-elite groups in response to economic and demographic crises. Her work brings together archaeology, archival research, spatial analysis, and the digital humanities.
Mellon Global South Initiative
The Andrew W. Mellon Foundation has awarded the University of Virginia $3.47 million to launch a major humanities initiative dedicated to the study of the Global South. The College and Graduate School of Arts & Sciences will match the grant, making the initial five-year investment to launch the initiative about $7 million.
Clay Endowments & Grants
The Institute of the Humanities and Global Cultures (IHGC) invites proposals for funding from the Buckner W. Clay Endowment to support innovative work in the global humanities at the University of Virginia. The Endowment provides an ambitious basis of support for faculty and student research and teaching to be conducted under the auspices of the IHGC. Faculty and students from across all schools and disciplines at the university are welcome and encouraged to apply.
The Academy of Global Humanities and Critical Theory is a new research entity jointly promoted by the University of Virginia, Duke University and the University of Bologna. It is conceived as an intellectual space for scholars coming from different research fields and geographical regions to work together on the redefinition of the humanities in a global age.